Soundtrack to the Revolution: Free Jazz and Leftist Nationalism in Quebec 1967-1975 talking heads through his musical maturity in

through his musical maturity in the '50s when he directed a band that redefined collective improvisation in jazz

Introduced by Kurt Cobain to a new generation in the 1990s

jouée et écoutée en dehors des réseaux médiatiques dominants

tells us about the march of pop music into the digital age and

Remain in Love is possibly the most uxorious rock ’n’ roll memoir ever written…”

Soundtrack to the Revolution: Free Jazz and Leftist Nationalism in Quebec 1967-1975 talking heads through his musical maturity inAuthor: ric Filion Translated by: David Homel I am a revolutionary first, a musician second. Instead of a machine gun, I have a trumpet, explained Yves Charbonneau, co founder of the Montreal based group Jazz Libre, in May of 1969. Upbeat excitement resonated throughout Montreal and across the predominantly French speaking province of Quebec in the wake of the Quiet Revolution and in the immediate aftermath of Expo 67, the highlight of Canadas